Categories
Songs Tips for students Trinity Rock & Pop Grade 2

Eddie Floyd – Knock On Wood – Trinity Rock & Pop Grade 2

Knock on wood was a hit for Eddie Floyd in 1966 & has been covered many times since. It’s a soul classic written on a stormy night by guitar great Steve Cropper & singer Eddie Floyd. The challenge on this song is locking in fully with the band; the horns, the rhythm guitar & the singer all play unison figures with the band. Here’s my attempt:

Eddie Floyd - Knock On Wood - Trinity Rock & Pop Grade 2 Drums

This song features a number of off-beat figures that need to be played perfectly in sync with the band; the introduction ends with the bass drum & crashes being hit with the horns on the & of 4 and the & of 1; the chorus ends with snare hits on the off-beats with the guitar & singer; the song ends with same figure as the chorus but played with the bass drum & crashes. If you are not confident playing on the off beats then these figures will cause trouble.

My favourite exercise for building confidence with off-beats is this one:

drum lessons singapore
Off-Beat Builder

To start with use a metronome that has an 8th note setting. (I recommend TempoPerfect on your computer or on your phone – search for “tempoperfect” by NCH software). Start slowly at 60 bpm, your aim is to play right on top of the metronome; you shouldn’t be able to hear the metronome when you strike the drum. You may want to dampen your snare drum so you get a dry sound so you can really hear if you are on top of the beat.

drum lessons singapore
Tempoperfect playing 8th notes @ 60bpm

Record yourself playing the exercise and listen back to see if you are really on top of the beat. Then,  if you are really on top of the beat consistently, set your your metronome to just play quarter notes, repeat the exercise & see if you can make it sound the same as it did when you had the metronome playing 8ths. Gradually increase the speed, see how fast you can go while keeping the accuracy. If you work on this regularly you will be able to play off beat figures confidently at speed.

The verse of this song should provide little trouble, however listen to the rhythm guitar and make sure you are locking in with it. I enjoy nothing more than locking in with a good rhythm guitarist. A good rhythm guitarist can really help to make your time keeping duties easier and aid in creating the right feel for the song; a bad one is a nightmare and all you can do is try to ignore them!

The pre-chorus (bars 17-21 – about 0:41 in the video) provides a nice change of groove with its syncopated bass drum pattern, but do note it is 5 bars in length which can feel a little weird and may catch you out. Try and get all the snare accents on the 5th bar the same volume; on the video I played them LRLR but you may try playing them all with one hand, this will give you a chance to throw in some showmanship with your free hand… a twirl perhaps?

The chorus features the same funky syncopated groove as the introduction with the tricky off-beat figure at the end. After playing the chorus the first time we get to play the turnaround; this features the snare on all four beats with the bass joining it on beat one. This section needs a fair bit of attention as you need to get the snare & bass perfectly in sync on beat one and crescendo over the three bars. You may want to practice this section on it’s own for a while. It looks easy but there is a lot to get right.

After repeating the verse, pre-chorus & chorus we move on to the outro; this is just a continuation of the chorus using the ride cymbal instead of the hi-hat and has the off-beat bass & crash figure discussed earlier. The final bar has hits on beats 1 and 4. Don’t rush the last hit on beat 4, practice it with a metronome to get it accurate, and count during the last bar. Too early or too late and it’ll sound wrong and will leave a bad last impression on your audience.

In 2014 I saw The Rolling Stones performing live and Charlie Watts was totally off on the hits at the end of one song; it was very obviously wrong. It was a great show, but I still remember that bad ending. When I miss something on stage (which doesn’t happen very often – honest!) I remind myself that even a legend like Charlie Watts gets it wrong sometimes & then laugh off my mistake and get on with the rest of my life & enjoy the rest of the show – and concentrate a little more!

Knock On Wood is a great song to work on and provides some great opportunities for working on your timing and dynamics and locking in with a band.

The 2018 version of the Trinity Grade 2 Rock & Pop book is great to work through if you’re around 6 months to a year into your drumming career. You don’t have to take the exam to benefit from the book. The songs are great to work on & fun to play and will help to improve your drumming. In Singapore you can find the book at Robert Piano – Paragon Shopping Centre (and probably their other outlets). It’s also available from Amazon if you’re happy to pay the shipping!

Don’t forget to check out our youtube channel & subscribe for more videos!

If you’re in Singapore &  haven’t had a free trial lesson with us, sign up for one here!

Categories
Songs Tips for students Trinity Rock & Pop Grade 3

Toploader – Dancing in the Moonlight – Trinity Rock & Pop Grade 3

Dancing in the moonlight was originally written & recorded by French-American rock group King Harvest in 1972. In 1999 Toploader recorded a cover version on their Onka’s Big Moka album and then released it as a single in 2000. The version presented in the Trinity Rock & Pop syllabus is closer in feel & groove to the Toploader version. Here’s my attempt:

Toploader - Dancing in the Moonlight - Trinity Rock & Pop Grade 3 Drums

This is a fairly straightforward song to play. The focus for this song is on the grooves and making people want to dance. There are only 2 drum fills in the song & it’s the same fill both times; I did add another one at the end of the solo section – there’s nothing to say you can’t in the score.

The chorus groove with its 16th note snare drum can prove tricky for some. There is no real direction on how to play this groove dynamically in the score. I elected to play the snare on beats 2 & 4 louder than the other snare drum notes. I’m not really ghosting these notes, but I’m certainly not putting as much emphasis on them as I am the 2 & 4 backbeat. This helps to create a bit more movement in the groove and it doesn’t feel as stiff or aggressive as it would if I had played them all the same volume. When practicing this groove, record yourself and try to get 2 consistent volume levels for your snare drum.

One of the things I enjoy about the Trinity Rock & Pop syllabus is that at the higher grades they allow you to make your own choices on what to play. There are large sections of this song where you are told to “continue in a similar manner”; I ran through this song a few times and every time I played these sections slightly differently. If you are taking the exam,  I would encourage you to just play what you feel at the time during these sections. Don’t try to nail down exactly what you want to play as trying to remember it note for note in the exam will just add to your stress. Just let the beat flow out of you & stay in time. Listen to my version, the original version and other versions out there on youtube to get some ideas. Don’t be afraid to change it up a little bit, sticking to just the basic groove is a bit boring and I think the examiner would rather hear you do something a little different – as long it’s within the style of the song.

The 2018 version of the Trinity Grade 3 Rock & Pop book is great to work through if you’re around 18 months to 2 years into your drumming career. You don’t have to take the exam to benefit from the book. The songs are great to work on & fun to play and will help to improve your drumming. In Singapore you can find the book at Robert Piano – Paragon Shopping Centre (and probably their other outlets). It’s also available from Amazon if you’re happy to pay the shipping!

Don’t forget to check out our youtube channel & subscribe for more videos!

If you’re in Singapore &  haven’t had a free trial lesson with us, sign up for one here!

Categories
Songs Tips for students Trinity Rock & Pop Grade 3

Aerosmith – Sweet Emotion – Trinity Rock & Pop Grade 3

Want to learn how to play rock drums? Listen to Aerosmith with Joey Kramer on drums, it’s that simple! Joey always provides the perfect driving rock feel for every Aerosmith song. His feel is so integral to the band that when he left the band, they found they couldn’t continue without him; no other drummer felt right, they had to beg him to come back! Here’s my attempt at emulating Joey on Trinity Rock & Pop’s version of Sweet Emotion.

Two drummers really influenced my use of the open hi-hat; one was Tico Torres from Bon Jovi and the other was Joey Kramer from Aerosmith. The groove on the verses of this song (0:25), with the open hi-hat on the “&” of 3 and then “&” of 4 is one of my favourite grooves to play. The challenge is trying to get a consistent open hi-hat sound and closing it perfectly on beats 4 & 1 every time. You may want to just practice that hi-hat part on its own for while before adding in the other limbs.

The guitar riff after every verse (0:43) with the driving snare on beats 2, 3 & 4 is a little unusual & will require practice. The use of the bell of the ride cymbal for this groove provides a great colour and really helps to distinguish this section. I elected to hit the crash on beat 1 with my left hand to allow my right hand to stay on the bell of the cymbal; the bell isn’t a huge target and is easy to miss so I find it’s easier just to leave my hand in place once it’s there. Make sure your crashes at the end of this section line up with the guitar.

The guitar solo features a 2 handed 16th note groove with 4 e & ah being played on the snare every bar. The 16th notes on the hi-hat & snare must be evenly played with an aggressive driving feel.

The ending of this song (2:42) is similar to how the band end it in live performances. Playing live, Joey accents the same rhythm as the guitar before playing his big ending licks. To accent with the guitar you could play something like this.

Drum Lessons Singapore
Sweet Emotion Live Ending

On my video I decided to keep it simple and just play the basic groove with crashes on beats 1, 3, and 1 of the two bar pattern. If I was performing with a band, I would accent it the same way as Joey before going on to my big ending show off lick.

With this song you are asked to fill around the kit for the big ending. On the Trinity rock & pop  version of the song with the metronome on it, the metronome drops out at this point. However if you continue counting you’ll notice you actually have 9 1/4 note beats to play with here (two 4/4 bars + 1 beat). For this big ending I elected to crash on beat 1 and then start a 16th note triplet lick on beat 2. Here’s what it looks like:

drum lessons singapore
Big Ending Lick

I use “ti-ta” for counting 16th note triplets, so the counting for this lick is:

1          2 ti-ta & ti-ta 3 ti-ta & ti-ta 4 ti-ta & ti-ta 1 ti-ta & ti-ta 2 ti-ta & ti-ta 3 ti-ta & ti-ta 4   &    1.

Note that this lick is performed more by feel; I notice in my execution of it in the video that I’m a little late starting the 16th note triplets on beat 2 and I tend to ritard over the last three notes (4 & 1) and hit the last crash as the guitar dies out.

I used 16th note triplets between the hands and bass drum for this ending as it’s a fairly standard song ending lick & you should learn how to do it at some point. However, if you’re taking the exam & don’t have time to master it, you can try some 16th note alternatives like these:

drum lesson singapore
Alternate Endings

This is great song to learn to play; it’s a lot of fun and really allows you to rock out & it’s always good to practice those big endings. In addition, the timing challenges presented by the song in the unison figures and also the big space between the last verse and the guitar solo will help to solidify your time feel if you work on them. Your open hi-hats will also benefit greatly from working on the verse groove.

The 2018 version of the Trinity Grade 3 Rock & Pop book is great to work through if you’re around 18 months to 2 years into your drumming career. You don’t have to take the exam to benefit from the book. The songs are great to work on & fun to play and will help to improve your drumming. In Singapore you can find the book at Robert Piano – Paragon Shopping Centre (and probably their other outlets). It’s also available from Amazon if you’re happy to pay the shipping!

Don’t forget to check out our youtube channel & subscribe for more videos!

If you’re in Singapore &  haven’t had a free trial lesson with us, sign up for one here!

Categories
Songs Tips for students Trinity Rock & Pop Grade 2

Alicia Keys – Fallin’ – Trinity Rock & Pop Grade 2

Iiiiiiiiiiiiiiii keep on fallin’….. in love with… my drums!  Alicia Keys’ Fallin’ is part of the Trinity Rock & Pop Grade 2 syllabus. Written in 12/8, this song provides a nice change of feel from all the other songs written in 4/4.

The 12/8 time signature means we are playing 12 beats in the bar and the 1/8th note gets the count. In a bar of 12/8 we can have twelve eighth notes, six quarter notes, four dotted quarter notes, three half notes or twenty-four sixteenth notes.

drum lesson singapore
12/8 examples

Normally when playing in 12/8 we play with a dotted quarter note feel. This means we emphasize the first, fourth, seventh and tenth beats of the bar. This gives us 4 groupings of 3 notes and makes it feel like we are playing 8th note triplets in 4/4. The two examples below will sound the same, it’s just the method of writing them down that differs. You can feel the beat either way. If you are more comfortable counting 8th note triplets in 4/4, you may wish to carry on counting that way.

drum lessons singapore
12/8 & 4/4 equivalence

Here’s my attempt at this version of the song, try counting along with the song in 12/8 and then try counting the 4/4 feel with the 8th note triplets.

Alicia Keys - Fallin' - Trinity Rock & Pop Grade 2 Drums

Once you’ve got your head around the feel of the song and the counting, it’s a fairly straight forward song to play. The bass drum does get a good work out and there are a couple of places in the song where you need to hit the bass 6 or 7 times in a row; focus on getting each hit the same volume in these sections.

The drum fill towards the end of the song (around 1:20) starts on beat 4 (or 2 if you’re counting in 4/4) and consists of 9 eighth notes. It can be played as shown in the video – using alternating sticking –   or you may prefer to use RLR LRL RLL to allow you to be more relaxed transitioning to the Ride cymbal.

The 2018 version of the Trinity Grade 2 Rock & Pop book is great to work through if you’re around 6 months to a year into your drumming career. You don’t have to take the exam to benefit from the book. The songs are great to work on & fun to play and will help to improve your drumming. In Singapore you can find the book at Robert Piano – Paragon Shopping Centre (and probably their other outlets). It’s also available from Amazon if you’re happy to pay the shipping!

Don’t forget to check out our youtube channel & subscribe for more videos!

If you’re in Singapore &  haven’t had a free trial lesson with us, sign up for one here!

Categories
Songs Tips for students Trinity Rock & Pop Grade 2

Blur – Song 2 – Trinity Rock & Pop Grade 2

WOO HOO! Here is Blur’s Song 2 from the Trinity Rock & Pop grade 2 syllabus.

Blur - Song 2 - Trinity Rock & Pop Grade 2 Drums

This version of the song is very close to the original version by Blur. It’s been slowed down a little; the original speeds a long at 130bpm, this version is a bit slower at 116bpm. That doesn’t stop the fun of playing this song though, you can still rock out to it!

Other alterations include a few crashes that have omitted and the only fill being orchestrated slightly differently. We’re also missing the first 4 bars where the drummer gets to groove on their own… but other than that, it’s pretty much the same as the original. WOO HOO!

This song is built around two separate 2 bar patterns. The bass drum part on both these grooves is very similar; if you’re taking the exam make sure you concentrate on the bass drum part when moving from one groove to the other, it’s easy to make a mistake there.

The groove used in the introduction and verses uses the rim of the floor tom to provide an interesting colour to the beat. It’s not a sound you hear often in rock & pop but it is a nice alternative to the usual hi-hat or ride. It also crops up in the chorus of Maroon 5’s Harder To Breathe and the rim of the snare drum is famously used for the intro to La Grange by ZZ Top.

This is a fairly simple song to play once you have the two main grooves down. Don’t forget to add dynamics to your grooves; the verses should be a restrained Mezzo Forte while the chorus is an energetic Forte that should get your listeners wanting to jump around! WOO HOO!

The 2018 version of the Trinity Grade 2 Rock & Pop book is great to work through if you’re around 6 months to a year into your drumming career. You don’t have to take the exam to benefit from the book. The songs are great to work on & fun to play and will help to improve your drumming. In Singapore you can find the book at Robert Piano – Paragon Shopping Centre (and probably their other outlets). It’s also available from Amazon if you’re happy to pay the shipping!

Don’t forget to check out our youtube channel & subscribe for more videos!

If you’re in Singapore &  haven’t had a free trial lesson with us, sign up for one here!

Categories
Songs Tips for students Trinity Rock & Pop Grade 1

Michael Jackson – Billie Jean – Trinity Rock & Pop Grade 1

Here’s the Trinity Rock & Pop version of this classic track from the King of Pop, Michael Jackson.

Michael Jackson - Billie Jean - Trinity Rock & Pop Grade 1 Drums

This is one of the those songs that really shows that it’s not what you play, but the way that you play it. On the original track Ndugu Chancler plays a drum beat which is probably the first beat almost every drummer learns. It may be simple, but you can’t help but dance when you hear it coming out the speakers. That is down to how it was played. Listen to the original track & record yourself playing this groove until you can make it sound as good as Ndugu Chancler does (it may take a while!).

As with other songs on the Trinity Rock & Pop Grade 1 syllabus, we get a shortened version of the song here & they have crammed in as many drum fills as possible. Most of the drum fills are straight forward, but there is one fill (at 53 seconds in the video) that just doesn’t feel natural. If you’re working on this song for the exam, I would suggest listening to the demo version a lot to allow this fill to seep into your brain and make it feel more natural. Counting bars during the chorus will also help (it’s on the 8th bar of the chorus).

This is a fun song to play, and nailing the groove on this song will greatly benefit your drumming.

The 2018 version of the Trinity Grade 1 Rock & Pop book is great to work through if you’re still in the early stages of your drumming journey. You don’t have to take the exam to benefit from the book. The songs are great to work on & fun to play and will help to improve your drumming. In Singapore you can find the book at Robert Piano – Paragon Shopping Centre (and probably their other outlets). It’s also available from Amazon if you’re happy to pay the shipping!

Don’t forget to check out our youtube channel & subscribe for more videos!

If you’re in Singapore &  haven’t had a free trial lesson with us, sign up for one here!

Categories
Songs Tips for students Trinity Rock & Pop Grade 1

Queen – Another One Bites The Dust – Trinity Rock & Pop Grade 1

Here’s another track from the Trinity Rock & Pop Grade 1 Syllabus and one of my favourite songs: Another One Bites The Dust by Queen.

Queen - Another One Bites The Dust - Trinity Rock & Pop Grade 1 Drums

As with all the songs on the Trinity Rock & Pop grade 1 syllabus, this is a shortened version of the song. We get the intro, a verse, a chorus and then the outro. However in this short space of time we get more drum fills than there are in the original version of the song!

If you listen to Queen playing this song live, you will hear drummer Roger Taylor adding more drum fills to bring the track to life a little more on stage. In the studio, songwriter & bassist, John Deacon, wanted the song to be focused more on the groove & had Roger Taylor just play a bar of the groove and then looped it around to achieve drum machine like precision. The one machine gun like drum fill was then added later.

This version of the song requires a mix of both the studio and live performance. You want to focus on getting a very consistent groove during the intro and verse and then the fills in the chorus help to bring the song to life a little more.

The main problem with this song is the first drum fill at the end of the verse. In the original song, this fill starts on the ‘ah’ of 2 – after the singing has stopped. In this version, the fill starts on beat 1. If you are used to the original song, this feels very strange. Counting bars during the verse, ignoring your instincts and just starting the fill on beat 1 of the 8th bar will help to get this fill in the right place. It takes a few run-throughs for this to start to feel normal.

The 2018 version of the Trinity Grade 1 Rock & Pop book is great to work through if you’re still in the early stages of your drumming journey. You don’t have to take the exam to benefit from the book. The songs are great to work on & fun to play and will help to improve your drumming. In Singapore you can find the book at Robert Piano – Paragon Shopping Centre (and probably their other outlets). It’s also available from Amazon if you’re happy to pay the shipping!

Don’t forget to check out our youtube channel & subscribe for more videos!

If you’re in Singapore &  haven’t had a free trial lesson with us, sign up for one here!

Categories
Songs Songs with scores Tips for students

INXS – New Sensation

In 1987 Australian band INXS rocked the world with their 6th studio album that eventually sold over 20 Million copies. New Sensation was one of 4 songs to reach the US Billboard Charts top 10. Here’s my attempt at playing this song:

Inxs - New Sensation - Drum Cover

Drummer Jon Farris lays down a straight forward groove on the verses of this song and then a driving snare groove on the chorus of the song. Playing quarter notes on the snare is a great way to change the feel of a song, drive it more, and make it more aggressive.

What I’ve always enjoyed about Jon Farris’ playing is his drum fills and his drum fill placement. He creates memorable moments in songs with his choice & placement of fills. The fill on the 8th bar of the first verse is easy to play but fits the song perfectly. Check the fill at the start of the 5th verse, it really punctuates the lyrics and creates a memorable moment.  At a couple of points in the song he uses a ghost note to give the groove a little push. Some drummers would have been tempted to add more, but he showed great restraint and as a result the ghost notes are very effective.

Here’s a copy of the score courtesy of our friends at DrumLessonResources.com. Have a go at playing it yourself!

Things to focus on when learning this song:

  1. Playing a consistent groove during the verses. The verse groove may be simple, but playing it accurately and with conviction takes practice. Record yourself playing the groove & nail it with a metronome first.
  2. For the chorus, the focus has to be on not flamming the snare and bass drum. Play the beat slowly at first and really concentrate on getting hi-hat, snare and bass hitting at exactly the same time. Slow and careful practice will reap rewards that you’ll be able to take forward with you onto to other songs.
  3. Getting the fills and crashes in the correct spots… they aren’t always where you’d expect them. Concentrate & listen to the song 1000 times! (Check out the whole Kick album, it’s a classic!)

If you’re in Singapore and  haven’t had  a free trial drum lesson with us yet, sign up for one here.

Don’t forget to check out our youtube channel & subscribe for more videos!

Categories
Songs Tips for students Trinity Rock & Pop Grade 1

Mark Ronson Feat. Bruno Mars – Uptown Funk – Trinity Rock & Pop Grade 1

Uptown Funk was a huge hit for Mark Ronson & Bruno Mars, now it’s part of the Trinity Rock & Pop Grade 1 exam. Here’s David’s attempt at the Trinity Rock & Pop version of the song:

Bruno Mars - Uptown Funk - Trinity Rock & Pop Grade 1 Drums

Here’s a few things to focus on when trying this song:

  1. The opening snare hits on the 4th bar need to perfectly in sync with the horns.
  2. The main groove of the song features the bass drum playing a strong quarter note pulse. This is very common in dance music. Be careful not to flam the snare and bass on beats  2 & 4 as this will kill the groove and no one will want to dance to your version.  Take time to practice the groove slowly and record yourself playing the groove – be honest with yourself, did you flam? Keep working on it until you don’t!
  3. Speaking of flams; we also don’t want any flams during the 3 bar build up fill after the breakdown. Work on getting your snare, tom and bass perfectly together while building the crescendo – and don’t speed up as you get louder!
  4. During the end of the song there is one drum fill on the snare repeated multiple times. Practice this fill with a metronome until you can do it with out any variance in tempo. This fill, like the earlier snare hits, needs to line up perfectly with the other instruments that are playing the same rhythm. Make it tight!
  5. The final drum fill is an over the bar line fill, meaning it starts in one bar and carries on throughout the next one. This can feel strange if you are not used to going over the bar line with your fills. Use a metronome and slow it down to 50-60 bpm. Count. Repeat until perfect. Slowly speed it up. Don’t panic!

This is a fun song to play and offers the chance to work on some skills that will help you play many other songs in the funk/dance style.

The 2018 version of the Trinity Grade 1 Rock & Pop book is great to work through if you’re still in the early stages of your drumming journey. You don’t have to take the exam to benefit from the book. The songs are great to work on & fun to play and will help to improve your drumming. In Singapore you can find the book at Robert Piano – Paragon Shopping Centre (and probably their other outlets). It’s also available from Amazon if you’re happy to pay the shipping!

Don’t forget to check out our youtube channel & subscribe for more videos!

If you’re in Singapore &  haven’t had a free trial lesson with us, sign up for one here!

Categories
Gear Tips for students

Best Metronome Apps

Playing in time is a fundamental skill for any musician. Finding a metronome that you enjoy working with will help you to nail this important skill. Here are the metronome apps that I enjoy working with the most.

1. TempoPerfect by NCH Software – free app that you can get on all platforms (Search for TempoPerfect – don’t insert a space.)

This app allows you to play in a number of time signatures and will mark the subdivisions for you using different sounds. A lot of free metronomes will use the same beep sound for all subdivisions making it hard to truly know which beat you are on; TempoPerfect uses different sounds for beat 1, the other main beats and the subdivisions. You’ll always know where you are in the bar & it’s great for working on your rhythmic accuracy.

This is my go to metronome app for almost everything. The other apps on this list offer specific features that TempoPerfect doesn’t have, but if I’m not in need of those features, then this is the app I’ll use. A great general purpose metronome app.

2. Time Guru by Decibel Consulting/Avi Bortnick – not free.

Time Guru really helps you to work on your timing by missing out random beats in the bar or by allowing you to program a series of bars that are either sounded out or silent. I’m not a big fan of the random beats missing function, I find it rather distracting – but I am a big fan of being able to set up a series of bars with some sounded out and some silent.

I often use this metronome to play 4 bar loops – 3 bars loud & 1 bar silent, or 2 bars loud &  2 bars silent. I use  both these loops for testing my timing when playing grooves – can I keep time when the metronome drops out? I use the 3 bars loud & 1 bar silent loop for practicing drum fills;  Play the fill during the silent bar – are you rushing or dragging? Do I need to throw something at you? (If you haven’t seen Whiplash, go watch it, great movie!)

Once you can keep your groove consistent with one or two bars of silence, maybe add some more silent bars? I normally have at least 2 or 4 loud bars to help me settle into the groove before the silence starts. Extend the silence as far as you like, challenge yourself – 4 bars loud & 4 bars silent, 4 bars loud & 8 bars silent? I’ve always treated this as a game. Start with a simple groove and see how far you can push the silence.

The other great thing about this app is it gives you plenty of choices on the sound – including voices counting out loud. For students who are new to using metronomes a loud voice counting 1, 2, 3, 4 (in one of 5 languages!) is sometimes just what they need to really know where they are in the bar.

drum lessons singapore

The only downside to this app is it doesn’t mark subdivisions very well. To get 8th notes in 4/4 time you need to select 8 as the meter and then change the note value to 8th notes – the 8th notes will all sound exactly the same – not easy to differentiate between the downbeats and the upbeats. The human voice option will also count all the way up to 8.

3. Metronome: Tempo Lite by Frozen Ape Pte Ltd – free

There is a paid version of this app, but I haven’t needed the extended features yet, I’m happy with the free version.

drum lessons singapore

The main attraction of this app is that it can automatically increase or decrease the tempo for you every X number of bars or after a certain period of time. So if you’re practicing your paradiddles, you can set the metronome to speed up by 3 bpm every 16 bars or every 2 minutes. Start it off at 120bpm and keep paradiddling until you can keep up any more. It saves you having to keep stopping to alter the tempo and losing the flow. Use it to find out how fast  or slow you can play your favourite grooves before they fall apart. The latest version also features the ability to mute bars after every few loud bars – maybe you don’t need time guru after all.

You can select from a few time signatures and the ability to accent or mute certain beats in the bar is a nice addition – you may just want to accent beat one to start with! It will also play different subdivisions but doesn’t quite execute it as well as TempoPerfect.

Conclusion

It’s worth spending the time to find a metronome app that you enjoy working with. Time spent practicing with a metronome is time well spent and will only help you to improve as a drummer – your main job in a band is to keep time! The more you practice it, the better you’ll get, the stronger your time feel will be.